American Alliance of Museums (AAM)—Honorable Mention: Museum Publication Design Competition, 2021
AIGA: 50 Books | 50 Covers Winner, 2020

Roy Lichtenstein: History in the Making, 1948–1960

Edited by Elizabeth Finch and Marshall N. Price
Contributions by Graham Bader, Elizabeth Finch, Ruth Fine, Marshall N. Price, and Scott Manning Stevens

Designed by Content Object: Kimberly Varella, Design and Art Direction; Sam Wagner, Assistant Designer; David Evans Frantz, Project Manager
Casebound Hardcover, 224 pages
Publisher: Rizzoli Electa in association with Colby College Museum of Art and Nasher Museum of Art at Duke University, 2020
ISBN: 978-0-8478-6868-1
Dimensions: 8.25 × 11.5 in.

Roy before he was Lichtenstein: the path to becoming a Pop Art titan began with Lichtenstein's cycling through a provocative range of visual culture, from fairy tales and children's and folk art to mythic forms of Americana, such as cowboys and Disney.

Roy Lichtenstein: History in the Making, 1948–1960 is the first major museum exhibition to investigate the early work of one of the best-known American artists of the twentieth century. The exhibition includes approximately eighty works from the artist's fruitful and formative early career, many never before seen by the public. The show and accompanying catalog include paintings, drawings, sculptures, and prints which reveal an artist, even in the earliest stages of his career, with a keen interest in visual culture, culling—with a critical eye—from a wide range of sources. These inspirations were the essential but little-known precursors to the artist's later sourcing of comic books and advertisements. Likewise, his exploration of abstraction, just before the artist's abrupt turn to Pop Art in 1961, straddles the line between unabashed lyricism and wry critique of second-generation Abstract Expressionism.

The catalogue, with new scholarship by leading experts in the field, provides a new understanding of Lichtenstein's influential techniques of appropriation and offers the opportunity to more fully assess the artistic and cultural dynamism of postwar America.

Photography by Ian Byers-Gamber